Making art and films allow me to better understand myself, others and my place in the world. I am interested in finding interconnected relationships between images, objects, materials, and performance. I feel most at home in quiet spaces: the studio, the library, the theatre, the forest. I am drawn to antique stores, yard sales, and flea markets, places where time feels layered and partially visible.

I thrive in spaces that oscillate between solitude and collaboration. Periods of introspection are as important to me as dynamic interactions with other creators. I like to move between focused research and open-ended improvisation, staying close to curiosity and experimentation as methods of working. My practice often begins in observation and gradually shifts into invention and imagination. I am interested in how perception can be altered or expanded, and in the moments where those states overlap.

I am informed by early cinema and its visual effects techniques, as well as the history of science. Symbolism, mythology, and dream logic frequently surface in my work. I am interested in the meeting point of science and magic, where empirical knowledge and mystery can coexist.

Recurring motifs in my work include caves, portals, and bubbles, suggesting alternate planes of existence. Black backgrounds often appear as a way of reframing darkness as something generative, rather than empty, and as something connected to nature rather than absence.

Ultimately, my work inhabits a space between the known and the unknown, the physical and the metaphysical. I try to create conditions where contemplation, sensory immersion, and curiosity can coexist, and where art becomes a place for scientific inquiry and poetic imagination to meet.