Preservation
Year
Film released 2017
LP & Artist's Book released November 8, 2019
Collaborators
Tommy Crane
Artwork Credits
Photography by Tracy Maurice
Poetry by Juliana Daugherty
Book Design by Frédérique Gagnon
Design Intern: Solène Lautridou
Role
Filmmaker / Cinematographer
Photography
Formats
Digital Album
12" Vinyl (includes 11" × 22" full-color sleeve)
Limited Edition Artist's Book (7" × 11.75", matte soft cover with black foil stamp title and black gilded edges)
Preservation is a collaboration between artist/filmmaker Tracy Maurice and drummer/composer Tommy Crane that immerses the viewer in the mysteries of the natural world.
The project developed through an exchange of music and visuals, with sound and image evolving in tandem toward a live performance at Lincoln Center, New York, in 2017. In 2019, the work expanded into a physical release, including a limited-edition LP and artist’s book that brought together film, photography, poetry, and design as an extension of the original performance.
Preservation immerses the viewer in the mysteries of the natural world, leveraging analog techniques and dark-field microscopy to capture the transformative, mercurial movements of soap bubbles, algae, water-based chemical reactions and human bodies.
Material exploration is juxtaposed with dance choreography ruminating on time, space and mortality, all of which is explored through the primordial potentiality of movement. The dancers float in space and create a celestial thread that runs throughout the film. Preservation explores the ever-evolving understanding of nature as a word, a concept, and a relationship by juxtaposing analog and digital; live and recorded; raw and mediated art forms, seeking to create a liminal space in which two concepts can coexist, the deeply rooted idea of nature as immemorial and the emergent concept of nature as constructed, choreographed, and projected. Maurice’s piece ultimately realigns darkness as something transcendent and intimately tethered to nature, not an absence of it.
Installation
The single-channel video installation, is a seamless extension of Preservation’s contemplations on the essence of nature and being. A microcosm of experiments in form.
The short film edited by Armen Harootun, is anchored in the slightest whisper of a narrative, the film uses a triptych aesthetic (in which the center panel outsizes the side panels) combined with the sculpted physiques of the dancers, the abstraction of microscopy, and the very nature of the moving image as an art form all its own, to create an aesthetic untethered from time and place— the boundaries that categorize art as distinct epochs and mediums begin to break down. Everything, and nothing, become natural, simultaneously.
Score
Crane’s score reflects these themes via an amalgam of analog synthesizers center around live drumming. Crane's background in jazz and improvisational music are deftly applied to cultivate dynamic, ambient soundscapes and drones. It is an exploration of texture and tone, analog and digital, and all the spaces in between. Lush, open, instrumental, and electronic, Preservation’s LP is the sonic embodiment of the project as a whole—the details, only heightened by this particular format in this particular place in time, are simultaneously anticipated and unexpected.
Taking you from a slow, vast, cosmic introduction into a world of forward momentum and energetic tempos that cut through ambient soundscapes, the unique blend of rhythm and texture leaves one delightfully untethered. In addition to Crane, the record features performances by Colin Killalea (Ex-poets, Albert Hammond Jr.), Eliot Krimsky (Glass Ghost) and Greg Chudzik (Steve Reich). The record is mixed by Grammy award winner (Arcade Fire’s The Suburbs) Mark Lawson.
Artist Book
The book is a collection of photography by Tracy Maurice created in collaboration with singer-songwriter/writer Juliana Daugherty, who contributes an enigmatic collection of original poetry inspired by the music and visuals.
Touching on themes of mortality and consciousness, her poetry can stretch across each vignette, allowing the reader to easily and freely drift between text and image, soundscape, and the moving image—traditional boundaries dissolve.
Preservation
Year
Film released 2017
LP & Artist's Book released November 8, 2019
Collaborators
Tommy Crane
Artwork Credits
Photography by Tracy Maurice
Poetry by Juliana Daugherty
Book Design by Frédérique Gagnon
Design Intern: Solène Lautridou
Role
Filmmaker / Cinematographer
Photography
Formats
Digital Album
12" Vinyl (includes 11" × 22" full-color sleeve)
Limited Edition Artist's Book (7" × 11.75", matte soft cover with black foil stamp title and black gilded edges)
Preservation is a collaboration between artist/filmmaker Tracy Maurice and drummer/composer Tommy Crane that immerses the viewer in the mysteries of the natural world.
The project developed through an exchange of music and visuals, with sound and image evolving in tandem toward a live performance at Lincoln Center, New York, in 2017. In 2019, the work expanded into a physical release, including a limited-edition LP and artist’s book that brought together film, photography, poetry, and design as an extension of the original performance.
Preservation immerses the viewer in the mysteries of the natural world, leveraging analog techniques and dark-field microscopy to capture the transformative, mercurial movements of soap bubbles, algae, water-based chemical reactions and human bodies.
Material exploration is juxtaposed with dance choreography ruminating on time, space and mortality, all of which is explored through the primordial potentiality of movement. The dancers float in space and create a celestial thread that runs throughout the film. Preservation explores the ever-evolving understanding of nature as a word, a concept, and a relationship by juxtaposing analog and digital; live and recorded; raw and mediated art forms, seeking to create a liminal space in which two concepts can coexist, the deeply rooted idea of nature as immemorial and the emergent concept of nature as constructed, choreographed, and projected. Maurice’s piece ultimately realigns darkness as something transcendent and intimately tethered to nature, not an absence of it.
Installation
The single-channel video installation, is a seamless extension of Preservation’s contemplations on the essence of nature and being. A microcosm of experiments in form.
The short film edited by Armen Harootun, is anchored in the slightest whisper of a narrative, the film uses a triptych aesthetic (in which the center panel outsizes the side panels) combined with the sculpted physiques of the dancers, the abstraction of microscopy, and the very nature of the moving image as an art form all its own, to create an aesthetic untethered from time and place— the boundaries that categorize art as distinct epochs and mediums begin to break down. Everything, and nothing, become natural, simultaneously.
Score
Crane’s score reflects these themes via an amalgam of analog synthesizers center around live drumming. Crane's background in jazz and improvisational music are deftly applied to cultivate dynamic, ambient soundscapes and drones. It is an exploration of texture and tone, analog and digital, and all the spaces in between. Lush, open, instrumental, and electronic, Preservation’s LP is the sonic embodiment of the project as a whole—the details, only heightened by this particular format in this particular place in time, are simultaneously anticipated and unexpected.
Taking you from a slow, vast, cosmic introduction into a world of forward momentum and energetic tempos that cut through ambient soundscapes, the unique blend of rhythm and texture leaves one delightfully untethered. In addition to Crane, the record features performances by Colin Killalea (Ex-poets, Albert Hammond Jr.), Eliot Krimsky (Glass Ghost) and Greg Chudzik (Steve Reich). The record is mixed by Grammy award winner (Arcade Fire’s The Suburbs) Mark Lawson.
Artist Book
The book is a collection of photography by Tracy Maurice created in collaboration with singer-songwriter/writer Juliana Daugherty, who contributes an enigmatic collection of original poetry inspired by the music and visuals.
Touching on themes of mortality and consciousness, her poetry can stretch across each vignette, allowing the reader to easily and freely drift between text and image, soundscape, and the moving image—traditional boundaries dissolve.